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this relatively unsung drama laid bare the devastation the previous pandemic wreaked over the gay Group. It absolutely was the first film dealing with the subject of AIDS to receive a wide theatrical release.
is about working-class gay youths coming together in South East London amid a backdrop of boozy, harmful masculinity. This sweet story about two high school boys falling in love for that first time gets extra credit history for introducing a younger generation into the musical genius of Cass Elliott from The Mamas & The Papas, whose songs dominate the film’s soundtrack. Here are more movies with the best soundtracks.
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To debate the magic of “Close-Up” is to discuss the magic of your movies themselves (its title alludes to a particular shot of Sabzian in court, but also to the sort of illusion that happens right in front of your face). In that light, Kiarostami’s dextrous work of postrevolutionary meta-fiction so naturally positions itself as on the list of greatest films ever made because it doubles as the ultimate self-portrait of cinema itself; in the medium’s tenuous relationship with truth, of its singular capacity for exploitation, and of its unmatched power for perverting reality into something more profound.
Steeped in ’50s Americana and Cold War fears, Brad Fowl’s first (and still greatest) feature is adapted from Ted Hughes’ 1968 fable “The Iron Gentleman,” about the inter-material friendship between an adventurous boy named Hogarth (Eli Marienthal) along with the sentient machine who refuses to serve his violent purpose. Because the small-town boy bonds with his new pal from outer space, he also encounters two male figures embodying antithetical worldviews.
The result is our humble attempt at curating the best of ten years that was bursting with new ideas, fresh Power, and as well many damn fine films than any top rated one hundred list could hope to have.
did for feminists—without the vehicle going off the cliff.” In other words, put the Kleenex away and just enjoy love because it blooms onscreen.
“I wasn’t trying to okxxx see the future,” Tarr said. “I used to be just watching my life and showing the world from my point of view. Of course, you'll be able to see lots of shit completely; it is possible to see humiliation in the slightest degree times; you'll be able to always see a little this destruction. Every one of the people may be so stupid, choosing this kind of populist shit. They are destroying themselves along with the world — they don't think about their grandchildren.
While the trio of films that comprise Krzysztof Kieślowski’s “Three Shades” are only bound together by financing, happenstance, and a standard wrestle for self-definition in a very chaotic femdom modern day world, there’s something quasi-sacrilegious about singling among them out in spite in the other two — especially when that honor is bestowed on “Blue,” the first and most severe chapter of a triptych whose final installment is often considered the best amid equals. Each of Kieślowski’s final three features stands together By itself, and all of them are strengthened by their shared fascination with the ironies of a society whose interconnectedness was already starting to reveal its natural solipsism.
earned critical and viewers praise to get a rationale. It’s about a late-18th-century affair between a betrothed French aristocrat along with the woman commissioned to paint her portrait. It’s a beautiful yet heartbreaking LGBTQ movie that’s sure to become a streaming staple for movie nights.
Besides giving many viewers a first glimpse into city queer society, this landmark documentary about New York City’s underground ball scene pushed the Black and Latino gay communities puretaboo to your forefront to the first time.
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Leigh unceremoniously cuts between the two narratives until they eventually collide, but “Naked” doesn’t betray any trace of schematic plotting. Quite the opposite, Leigh’s apocalyptic eyesight of a kitchen-sink drama vibrates with jangly vérité spirit, while Thewlis’ performance is so committed to writhing in its personal filth that it’s easy to forget this is really a scripted work of fiction, anchored by an actor who would go on to star inside the “Harry Potter” movies somewhat than a youporm pathological nihilist who wound up dead or in prison shortly after the cameras started rolling.